No two working weeks are ever quite the same: new colleagues, demanding scores, unfamiliar stages. But every so often, a project comes along that feels especially electric. In February, I had the privilege of performing Schoenberg’s Pierrot Lunaire with the Royal Ballet and Opera. This extraordinary 1913 work for sextet and voice was later transformed into a ballet by Glen Tetley in 1962. in pit Across ten sold-out performances in the Linbury Theatre at the Royal Opera House,